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Falling Down

Lee Ambrozy on Hu Xiangqian’s The Public Speaker Who Forgot His Words

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“Transcending Tibet”

Rogue Space | Chelsea

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Liang Yuanwei

At first, it is difficult to see what is different about Liang Yuanwei’s new oil paintings. In the series titled “Oval,” 2014–15, the artist employs her signature method, meticulously interpreting...

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11th Shanghai Biennale: “Why Not Ask Again? Maneuvers, Disputations & Stories”

Curated by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta New Delhi–based trio Raqs Media Collective bring a refreshing geographic perspective to the Shanghai Biennale, assembling an...

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Yang Jiechang

The show “Earth Roots” proved the continued power of the monochromatic density and crusty strata of black ink as a metaphorical primordial stew that continues to nourish experimental art in China....

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Xu Bing

Curated by Philip Tinari and Feng Boyi Although Xu Bing’s conceptualism has succeeded in brewing controversy domestically and abroad (recall the removal of his A Case Study of Transference, 1994, from...

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Legend of Wuzhen

Lee Ambrozy on 2019 Art Wuzhen

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“Moving Ink: Tong Yang-Tze”

Curated by Fang-Wei Chang Tong Yang-Tze’s oversize ink works recall ancient brush traditions but pulsate with au courant energy. Her “chaotic script” combines both rapid and protracted brushstrokes to...

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Cay Bahnmiller

Between the 1960s and the 1970s, Detroit’s Cass Corridor was the center of a burgeoning local art scene that echoed and responded to what was happening in New York’s Greenwich Village. Its artists...

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Carlo Vitale

The small selection of paintings here, made between 1978 and 1989, was culled from Carlo Vitale’s vast oeuvre. The artist’s maximalist abstractions feature elaborate compositions in which thousands of...

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Neha Vedpathak

Indian-born Neha Vedpathak has been working in Detroit since 2016, developing a labor-intensive practice that embraces the spirit of a city built from raw materials and elbow grease. Using her...

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BIG DREAMS FOR LITTLE VILLAGE

A makeover in Motor City

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